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Autumn Mountain

€950.00

🍂 Høst fjellet

Medium: Watercolour on paper
Year: 1972
Artist: Sigurd Bergmann (Signed "SB")

A stunning early abstract landscape from 1972, Høst fjellet captures the raw seasonal transformation of the Norwegian highlands through bold washes, flowing pigment, and intuitive mark-making. Though abstract in execution, you can feel the contours of hills and mountain slopes rising through earth-toned bands of burnt sienna, moss green, and rich blue. The delicate pencil lines that whisper across the painting suggest the sketch of terrain — a soft cartography of memory.

This work is signed with Bergmann’s early “SB” initials, a hallmark of his 70s pieces when he was experimenting with atmosphere and form. The moisture-laden brushwork and gentle bleeding of pigment evoke that distinct, earthy mood of a Norwegian autumn, right as mist clings to the hills.

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🍂 Høst fjellet

Medium: Watercolour on paper
Year: 1972
Artist: Sigurd Bergmann (Signed "SB")

A stunning early abstract landscape from 1972, Høst fjellet captures the raw seasonal transformation of the Norwegian highlands through bold washes, flowing pigment, and intuitive mark-making. Though abstract in execution, you can feel the contours of hills and mountain slopes rising through earth-toned bands of burnt sienna, moss green, and rich blue. The delicate pencil lines that whisper across the painting suggest the sketch of terrain — a soft cartography of memory.

This work is signed with Bergmann’s early “SB” initials, a hallmark of his 70s pieces when he was experimenting with atmosphere and form. The moisture-laden brushwork and gentle bleeding of pigment evoke that distinct, earthy mood of a Norwegian autumn, right as mist clings to the hills.

🍂 Høst fjellet

Medium: Watercolour on paper
Year: 1972
Artist: Sigurd Bergmann (Signed "SB")

A stunning early abstract landscape from 1972, Høst fjellet captures the raw seasonal transformation of the Norwegian highlands through bold washes, flowing pigment, and intuitive mark-making. Though abstract in execution, you can feel the contours of hills and mountain slopes rising through earth-toned bands of burnt sienna, moss green, and rich blue. The delicate pencil lines that whisper across the painting suggest the sketch of terrain — a soft cartography of memory.

This work is signed with Bergmann’s early “SB” initials, a hallmark of his 70s pieces when he was experimenting with atmosphere and form. The moisture-laden brushwork and gentle bleeding of pigment evoke that distinct, earthy mood of a Norwegian autumn, right as mist clings to the hills.